Catfight! Press

CAT TOWN Atlanta's CATFIGHT is the real deal. This three piece garage rock band are one of the best we've heard since The Pandoras(Paula Pierce rest in peace) . Their 2000 disc "Catfight is frustrated" is superb. Featuring Jennifer Kraft on Guitar, Katy Graves on Bass, and Susanne Gibboney on Drums, Catfight shine with songs that not only sound good but have great lyrics, which is probably Catfight's strongest asset. "Not In Love", which we first heard on mp3.com, "Backstabbing Bitch from hell", and the title track "frustrated" are just three of our favorites. Catfight earn our respect and the newly appointed moniker CAT TOWN HOUSE BAND. This is some of the best three chord rock we have been privileged to hear in some time. Steev, Cat Town 2001

 

Like the Ramones crossed with the Shangri-Las, plus a little Replacements thown in for drunken good measure, Catfight should provide a kickin' start to the Rauch'N' Roll New Year. - Stefanie Kalem, Weekly Planet Jan 11-17 2001 Tampa, FL

 

 

"The title track is an amazing opener, full of pent-up lust and perfect lyrics. Then the theme of the album, whether intentional or not, begins to set in, and you realize they should've titled the whole thing Hey, You Suck! instead. "Smash Your Face In" locks into a nasty groove and lets the venom fly, while "I'm Sad" is the record, at a succinct 1:23.

Lyrics are, in fact, one of the best aspects of Catfight! All three of them have an uncanny knack for capturing matters simply, unpretentiously, and with a wry sense of humor -- which is why an album so packed with poison can manage to be so immensely entertaining." - Jeff Clark, Stomp and Stammer, July, 2000

 

 

"The songs on Frustrated bristle with the edgy mono-fidelity of the best '60s and '70s three-cord crunchers." - Lee Smith, Creative Loafing, 7/29/00

 

 

 

"Long delayed and eagerly awaited, the sophomore CD from Atlanta's Catfight! does not disappoint. With Frustrated, this all-girl rock trio delivers what's essentially a concept album about life's frustrations, played out over the furious bass-guitar-and-drum volley of a '70s-style punk soundtrack and dotted with a minefield of unexpected pop explosions." - Gregory Nicoll, Southeast Performer, August, 2000